Books
I AM AN EMERGING POETI am emerging from a previous fiction where I was Condoleezza Rice
and I made all my own clothes. I am emerging from the clutches of a cigar-chomping impresario. Stick with me kid he would growl hocking up spittle from deep in his throat. You could become another Annette Funicello. Once I was a gloomy medieval fortress that imprisoned poems, The poems were a beautiful princess longing to escape. The villagers crept by in fear of me. Wagging their heads they would mutter she is the evil monolith who keeps poetry prisoner. When the poetry-princess broke out she was the daughter of Rappaccini’s daughter. Pure poison. How would you feel if you’d been locked in a tower for forty years? Say hi to a pisspot of escaping poems. That’s how I became an emerging poet. That’s how I oozed forth into the clutter of my own bibliotèque where the pagey effluvium of my books hovers in the air. I loaf around here composting until Sloth implants her word on my heart. Sometimes I emerge pale and blinking into the streets where the neighbors are still crawling around in search of food. They don’t seem to mind sharing the fat-of-the-land with an emerging poet. One day I will leave the ’hood for a fancy marina where I can dock my ark. I intend to line the gangplank with sassafras. From the safety of my chaise longue I will contemplate Cassiopeia’s ever-receding navel. I wonder if they’ll let me keep all my animals. —Ellen Wright
From Family Portrait with Oilwell (Kelsay Books)
|
LEAVING JAMAICA STATIONWhat catastrophe spared this one brick wall with its belfry?
And what dream preserves it to front for nothing but a crowded cemetery whose tiny headstones herald the straitened expectations of a poor people’s hereafter? What baritones bereft of a church that once resounded with “Blessed Assurance” and “His Eye Is on the Sparrow” still bring 2 x 4’s and plywood to shore up its porous façade? What altar guild comes to rake and prune and haul the beer cans away from its unprotected sanctuary so squirrels and grackles can hymn along with the railroad’s rumble, so Queen Anne’s lace can nod to asters and daisies in its breezy vestibule? And who released me to the stubborn care of this phantom congregation till the Gothic enclosure of my skull could admit an omnipresence of windows? —Ellen Wright
From In Transit (Main Street Rag)
|
©2023 Ellen Wright / webmaster: Robin Locke Monda